The New York Post published an interview with Adam Carolla on Sunday in which he said, among other things, “dudes are funnier than chicks,” and, regarding writing for television, “they make you hire a certain number of chicks, and they’re always the least funny on the writing staff.”
Posts tagged female comedians.
The lesson you learned from a sexual harassment seminar was “Don’t hire chicks.” Do you hate working with women?
Adam Carolla: No. But they make you hire a certain number of chicks, and they’re always the least funny on the writing staff. The reason why you know more funny dudes than funny chicks is that dudes are funnier than chicks. If my daughter has a mediocre sense of humor, I’m just gonna tell her, “Be a staff writer for a sitcom. Because they’ll have to hire you, they can’t really fire you, and you don’t have to produce that much. It’ll be awesome.”
The “are women funny” debate has grown very contentious. You’re not worried about reactions to this?
Carolla: I don’t care. When you’re picking a basketball team, you’ll take the brother over the guy with the yarmulke. Why? Because you’re playing the odds. When it comes to comedy, of course there’s Sarah Silverman, Tina Fey, Kathy Griffin — super-funny chicks. But if you’re playing the odds? No.
If Joy Behar or Sherri Shepherd was a dude, they’d be off TV. They’re not funny enough for dudes. What if Roseanne Barr was a dude? Think we’d know who she was? Honestly.WOW. Just WOW.
She’ll be developing her own show for the studio and, in the meantime, will be a co-executive producer and writer on the second season of New Girl.
Community & Feminism
“They’re [female writers] harder to find. It’s definitely not because women ain’t funny, because I’m finding the opposite. It’s because there’s fewer of them. The statistical probability of picking up a shitty script, it’s compounded for women. There’s the same percentage of genius happening in both genders, but there’s less women writing scripts and out there looking for the job. So you dig a little extra-hard, and you end up with a staff that took a few extra meetings and a few extra shitty scripts to read. Now you have a staff that is just as good as the staff you would have had, but happens to be half women… And the male writers across the board, from top to bottom, in their most private moments drinking with me, when they’re fully licensed to be as misogynist, reactive, old-boy-network as they want, all they can say is, ‘This turned out to be a great thing.’ The energy is different [in the room]. It doesn’t keep anybody polite. We’re not doffing our caps or standing up when they enter the room. They do more dick jokes than anybody, because they’ve had to survive, they have to prove, coming in the door, that they’re not dainty. That’s not fair, but women writers, they acquire the muscle of going blue fast because they have to counter the stigma… I think women are different, and I think having them in the room is crucial to a family comedy, ensemble comedy, television comedy, where half the eyeballs on your show are women. As it turns out, I think Megan’s the only female writer who’s staying this year, so now, even though Bromstad’s gone, now I’m carrying this legacy, going, ‘Eh, guys, we really need a half-female writing staff.’ I would teach it. I think we have to stop thinking of it as a quota thing and think of it as a common-sense thing.”- Dan Harmon.
Last night I had dinner with Meghan and Rebecca, two very sharp lady comedy friends. We had just come from a Mindy Kaling book event and were thus a little hopped up and in a very particular headspace halfway between gossip and serious talk. The conversation careened from Mindy to HelloGiggles…
Reblogging because yes, you guys. Yes.
“For women, frump isn’t funny any longer. The new female comedian has to be the sexual aggressor, sexually provocative, dominant and successful. […] Lucille Ball would never have played the aggressive, domineering nymphomaniac that Jennifer Aniston portrayed in ‘Horrible Bosses.’”
Dear Fox “News”,
Jennifer Aniston was not a “domineering nymphomaniac” in Horrible Bosses. She was a rapist.
Also, the rest of this article is the worst and you’re wrong about everything.
Really, GQ? You saw smart, funny women in a genuinely funny and well crafted film and were inspired to create a list of scantily clad “comediennes”? Really? And you had the balls to put Cameron-fucking-Diaz on the list? Really? Really?! That’s disappointing.
What the “exceeded expectations” line is really about is the movie industry, and the media, paying homage to the collective “wisdom” that occurs whenever Hollywood, doing that thing it does, remembers all over again, every couple of years, and with great stunned surprise, that there’s this weirdly esoteric, fringe-group demographic — I believe the term for it is “women” — who actually enjoy seeing their lives portrayed on screen every bit as much as men do.
Before I begin my regular news broadcast tonight, I would like to read you a letter. “Dear Jane Curtin, I certainly miss Chevy. He is real sexy. You can’t hold a candle to him. Would you please send me his photograph? Yours sincerely, Margie Kaufman.” I’ve been getting letters about News Update lately with phrases like “Going Downhill”, “Not What It Used To Be”, and “Just Plain Boring.” Mostly the letters are about how Update isn’t as good as when that “sexy Chevy Chase” did it. The network says the ratings are slipping, and they’re putting a lot of pressure on Lorne to try somebody new. Like that new kid Murray, or whatever his name is. You see, I just assumed it was responsible journalism you wanted, not sex. I gave you more credit than that. But I was wrong. What can I say, besides…
“TRY THESE ON FOR SIZE, CONNIE CHUNG!”
If it’s raw thrills you want, it’s raw thrills you’ll get!
Saturday Night Live 2x13
Katie Aselton, Lucy Punch, Lizzy Caplan, Liz Meriwether, Maria Thayer, Gillian Jacobs, and Allison Williams.
Okay nerds, breathe.
The coolest people
you will ever meet.
Fey’s portrayal of Liz Lemon as the archetypal “abject single woman” seems to be a double-edged sword. On the one hand, Fey goes to far comic extremes in order to make us believe a woman as attractive and witty as Liz would have such trouble meeting a viable man; she pushes the archetype beyond its Bridget Jones’ limits and creates a truly comedic exaggeration of the single 40-something. Employing such gross exaggeration like Liz eating dinner in front of the mirror to stave off loneliness and menstruating for 61 straight days, could underscore the ubiquity of the abject single woman in the public’s imagination, and in doing so, hopefully force a de-naturalization of the idea that a woman without a man is stuck in a sad state of arrested development.
The flip side (and indeed, the dangerous potential) of Fey’s farce is that it might be taken at face value. Are we laughing at Liz Lemon because we know it’s absurd that a successful, educated woman would be so demoralized? Or are we laughing because sad, lonely women have become funny to us?
Top 5 Reasons You Should be Watching Parks and Recreation:
03. The Women
I think you’d be hard-pressed to find a show that writes or treats its female characters better than Parks & Recreation, and (just as importantly) with as little agenda. Leslie Knope is the best example of it - here’s a smart, capable, confident female character, who’s good at her job and passionate about it, who can say she’s good at hunting or surfing and actually be good at them. She is silly but strong, extremely idealistic but smart, enthusiastic but serious about it. She has female friends she adores (including her mother), which she shows unreservedly. She has a love life - with great boyfriends who clearly genuinely like her - but when she realises something isn’t going anywhere she can pull back and stop it, and she doesn’t mope or mourn its loss unnecessarily, because things keep happening to her, and she is defined by what she is and what she makes of herself - not who she’s with.
Here’s where the treatment of her character comes in - these are qualities she is loved for. Her feminism and crazy passion aren’t the butts of a joke. They aren’t things that she’s loved in spite of. A gruff, largely imperturbable character, the Man’s Man, is openly appreciative of her and loyal to her. Even when she’s making mistakes, she pushes forward, and the show lets her do it.
And look at the other women on this show! Ann, who is pretty and smart, but awkward and kind of stoic. April, who is quietly, confidently sarcastic, but sweet, and open to feeling things, and doesn’t mind telling an old married couple that she’s happy they’re in love, even if it isn’t cool. Interactions with them are not based on how they are girls, but how they are people. No mention of feminine wiles. No period jokes. No insults based on how girly they are. It’s so rare in comedies, and it’s incredibly refreshing.
How much I adore the ways these women interact with one another is only going to make this longer (“Ladies celebrating ladies!” Leslie Knope, I want to be your best friend.), so I’ll just quickly mention that the Leslie-Ann friendship is probably my favourite one on TV - they’re supportive of each other, sweet, caring.
The best part of this is that none of this is ever a Moral. Loving these characters and letting them be is not something the writers beat us on the head with - it comes to the show (and by extension, all the characters) easily, like it’s only natural that they feel that way, and you feel it, too.
[Hugh Hefner’s] real legacy is how he inspired ladies everywhere. For almost 60 years, Playboy has shown that naked women can do whatever they put their minds to, whether it’s baling hay, repairing antique jukeboxes, or even working in an old-timey soda shop! Proving time and again the first step towards women breaking the glass ceiling is pressing our boobs against it.
KRISTEN SCHAAL, remarking on recent reports of Hugh Hefner’s and Playboy’s financial demise, on The Daily Show.
Brilliant, brilliant, brilliant.
Comedy is something that I’m definitely looking to get into. I had a little taste of it and I do intend on going to classes for it because I think it’s a different muscle, and it’s hard to find female comedians. … You’ve got, like, Jennifer Aniston and Cameron Diaz and that’s it.
Ashley Greene, “Ashley Greene to Be History’s Third-Ever Female Comedian”
*headdesk* *facepalm* *keyboard smash* Looks like I’m breaking out my “people are idiots” tag again.