Posts tagged writing.
FYI: How Do You Cite a Tweet in an Academic Paper? - Alexis Madrigal - Technology - The Atlantic
(via thenextweb)
Fan Fiction and Why it Matters
FS says: Fan fiction is one of those guilty pleasures of fandom that people pretend not to know about, or read, much less write. But its been done for ages from Hellenistic Greek Tragedy to the first of the Sherlock Holmes pastiches (did you know that Mark Twain wrote one?) to the latest BBC Sherlock crack-fic.
The quote below suggests that, fanfic is just a legal category, not a creative one, which I buy as a reminder of the actual artistic value of fanfic, but I would argue isn’t that helpful to us communication and media theorists who really study fan culture.
Because in essence, fanfic functions theoretically differently than “regular” fiction, and here is why:
1. First the challenge is greater in some ways because the writer must stay in character since their audience consists of experts of those characters.
2. The distribution of fanfic is different. The internet has increased the access of fanfic writers, many who have never been officially published, to an audience directly.
3. There is also an increase in actual interaction with readers, both through positive and negative commentary, and through fan creations like art and additional fanfic inspired by the stories
4. Because there is no actual profit involved, the writer can directly address issues that would not be faced by market driven publishers. More LGBTQ stories, explicit sex, BDSM, trans* issues, consent, disability, and more, are addressed in fascinating ways that allow scholars to really use this fiction to analyze a broader range of actual cultural make-up than officially published material.
5. The tropes of fanfic are different, by far, than those used by officially sanctioned media, which marks it as a unique category of text.
I could go on, and I will (in other posts today) because this is what I find so fascinating about the history of the Sherlock fandom. And (this is the main thrust of my comments) this is why fanfic is of extreme value to the cultural historian or communication theorist. To ignore fanfic as “amateur” or as “silly” and deem it not worth studying is to critically miss both the natural thrust of the reader/writer relationship, but also to loose something that is a valuable resource.
Never let someone tell you that fanfic is silly or stupid or dorky or wrong. Fanfic is something that is an inherent part of who we are as natural storytellers, and something that reveals far more about our daily lives/thoughts/understanding/issues than “published” works do.
I’ll be going on about this later today, but this, my dear fandom is why what we do everyday on here is vital.
“Storytelling is basic to our species. It’s one of the ways we parse our experience of the universe. Whatever moves us or matters to us will show up in the stories we tell, whether or not we have a socially approved outlet for those stories. It might surprise you to find out how many writers have works of personal erotica tucked away in their unpublished-or-unpublishable manuscript trunks. There’s no good way to get those published, but they write them anyway, because they’re writers, and eroticism is an important part of our lives.
“Good fiction gets under our skin. It can change the way we see the world. But whatever its effect, it’s a significant experience. It would be a bizarre thing—unnatural, even—for writers to not engage with that experience. They always have. I could show you stuff centuries old—heck, some of it’s millennia old—that’s fanfic by any modern definition.
“Of course, it would have to be a modern definition. In a purely literary sense, fanfic doesn’t exist. There is only fiction. Fanfic is a legal category created by the modern system of trademarks and copyrights. Putting that label on a work of fiction says nothing about its quality, its creativity, or the intent of the writer who created it.
“The Pulitzer Prize for Fiction this year went to March, a novel by Geraldine Brooks, published by Viking. It’s a re-imagining of the life of the father of the four March girls in Louisa May Alcott’s Little Women. Can you see a particle of difference between that and a work of declared fanfiction? I can’t. I can only see two differences: first, Louisa May Alcott is out of copyright; and second, Louisa May Alcott, Geraldine Brooks, and Viking are dreadfully respectable.
“I’m just a tad cynical about authors who rage against fanfic. Their own work may be original to them, but even if their writing is so outre that it’s barely readable, they’ll still be using tropes and techniques and conventions they picked up from other writers. We have a system that counts some borrowings as legitimate, others as illegitimate. They stick with the legit sort, but they’re still writing out of and into the shared web of literature. They’re not so different as all that.
“Fanfic means someone cares about what you wrote.
“Personally, I’m convinced that the legends of the Holy Grail are fanfic about the Eucharist.
“This really is a basic impulse.”
— “Fanfic”: force of nature
by Patrick at Making Light
(via homoerotics)
Research and Documentation Online: How to properly cite your sources when writing papers ›
My high school english teacher gave me a link to this site during my senior year (which was six years ago and now I feel really old) but I just dug it up again to help my sister with a paper and it’s so fucking useful that I thought I’d share it with all of you.
If you ever have any questions about how to properly format citations in-text or in your bibliography according to MLA/APA standards, check this site. It has all the answers you could ever need.
Fan fiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don’t do it for money. That’s not what it’s about. The writers write it and put it up online just for the satisfaction. They’re fans, but they’re not silent, couchbound consumers of media. The culture talks to them, and they talk back to the culture in its own language.
The Boy Who Lived Forever | Time Magazine
THIS! Can I reblog it over and over again?
(via trappedinamatchbox)
(via mrsvc)
If there were a late-night comedy show completely run by comedy writers, without any interference from a host, producer, or network, that show would probably be called The Darkest and Most Impossibly Horrible Things You Can Imagine, Presented as Comedy. Every sketch would end with a gunshot or an infant’s stroller engulfed in flames, and the show would be canceled halfway through its opening titles. That’s because most comedy writers are so inured by humor that only the most shockingly toxic ideas can achieve the proper velocity to penetrate their indifference.
(via ifc)
You have to know something about science, about astronomy and physics and all that shit. You have to write within the rules of Roddenberry. And you have to write in a style that’s both modern and stylized at the same time. Star Trek’s a period piece; you can’t write in a contemporary fashion. If a person is capable of writing a 19th-century drama, that person is probably more able to do Star Trek than somebody who can write the greatest NYPD Blue.
RICK BERMAN, producer of ST: TNG, ST: DS9, and ST: Voyager (and successor to Gene Roddenberry), on the difficulties of writing for Star Trek [via]
Did you guys know that in season 3 of TNG the producers decided to start accepting spec scripts from anyone, literally anyone who wanted to submit them? That’s pretty damn cool.
The point they both realized the text had wandered into its own world was in the basement of the old Gollancz books, where they’d got together to proofread the final copy, and Neil congratulated Terry on a line that Terry knew he hadn’t written, and Neil was certain he hadn’t written it either. They both privately suspect that at some point the book had started to generate text on its own, but neither of them will actually admit this publicly for fear of being thought odd.
As for advice: write. That’s thing one. Write stuff that sucks. It always sucks when you start. Keep sucking, then fix it. That’s the whole job.
I personally don’t like comedy shows where everyone’s mean to everyone else, where there’s a lot of insult humor and cutting down of people. I think that was a trend that happened for many, many, many years, and I get weary of it. I don’t like watching it. I don’t like snappy sarcastic rejoinders as a comedy engine. It just seems really boring to me. So I’m very pleased with the tone of the show, personally. I think it’s more enjoyable to see positivity than negativity.
Accurate.
The Climax: If you are going to put an knifings or car chases into your essay, this is where to do it.
(via bachelorjohnwatson)
Date a girl who reads. Date a girl who spends her money on books instead of clothes. She has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she finds the book she wants. You see the weird chick sniffing the pages of an old book in a second hand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow.
She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
It’s easy to date a girl who reads. Give her books for her birthday, for Christmas and for anniversaries. Give her the gift of words, in poetry, in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who understand that all things will come to end. That you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.
You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
(via mollylehman)
Rowling is the first person to become a billionaire (U.S. dollars) by writing books
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Submitted by rocom
TOP 5: PEOPLE I LOVE IN 2010 |01| Tina Fey
If you want to make an audience laugh, you dress a man up like an old lady and push her down the stairs. If you want to make comedy writers laugh, you push an actual old lady down the stairs.
(via the-fangtasia)




